High Tension – A Movie to Die For

 High Tension – A Movie to Die For

High Tension (2003)

Slogan: “Hearts will drain.”

Each time I go to the video store, I’m attacked by another influx of low-financial plan thrillers. Many have smooth bundling and can flaunt either an honor or basic commendation, while others seem as though they were assembled หนังน่าดู in obscurity by raging monkeys. Regardless, the outside of the film frequently has very little to do with what’s within. That perfect looking film settled in the middle of Moulin Rouge and Runaway Bride might be a significant disillusionment, while the one on the base rack of the back column might be shockingly great. You moves the dice and takes your risks.

This was my problem when I went over the French film High Tension. By all accounts, it had every one of the components that would drive a frightfulness fanboy wild. Buff chick on the cover? Check. Buff chick holding a weapon fit for mutilation and massacre (for this situation a modern buzzsaw)? Check. Great plan and obviously checked “Unrated”? Check.

Also on the off chance that that wasn’t sufficient, simply take a gander at a portion of the basic blurbs imprinted on the front and back of the case: “It will terrify you!” shouts Dennis Dermody of Paper. “The best blood and gore film of the year!” cries Shawn Edwards of Fox-TV. “An absolute necessity!” shouts Time Out New York.

Quit worrying about the way that I’ve never known about Paper or Time Out New York. What did I truly need to lose, other than 90 minutes of my life? Considering that idea, I got High Tension and took it home. Hours after the fact, the film was in, and the lights were out.

In any case, I surmise I should give credit to the producers for keeping things quite rudimentary. The plot is extremely basic that even a youngster or little creature could follow it. More or less: Marie (Cecile De France) and Alex (Maiwenn) are school colleagues and dearest companions. Wanting to read up for tests in harmony and calm, they travel to the separated ranch style house of Alex’s folks. The young ladies show up later than expected around evening time, say their welcomes, then, at that point, head to sleep. Before long subsequently, an insane executioner (Philippe Nachon) appears at the front entryway and rings the ringer. From that point forward, all things considered, I think you get the overall thought. Also this is all in the initial fifteen minutes. The remainder of the film comprises of Marie attempting to find the executioner, who has kidnapped Alex and tossed her toward the rear of his would-just be-claimed by-a-sequential executioner van.

Very little appears to occur in High Tension other than a progression of murders and pursue groupings, however some way or another they’re ready to extend it to 90 minutes. Fortunately, the film is still short to the point of holding back from appearing to be dreary, and the crowd is raced alongside barely any opportunity to slow down and rest. Presumably, exactly what chief Alexandre Aja was going for.

I could grumble that the characters would one say one are layered, however what might be the point? This is a film which manages in-your-face dread and realistic viciousness. At the point when the tomahawks begin swinging, the actual characters aren’t even that significant. They’re only there to give an objective to all the sharp cutlery.

In any case, the mental part of the film would have been more effective assuming the crowd were permitted to get to realize Alex and Marie somewhat better. We get a short measure of chat to begin the image, however five or ten additional minutes would have been great (particularly considering the turn that their relationship takes towards the finish of the film). Furthermore different survivors of the executioner? All things considered, they’re immature that I felt literally nothing when they purchased the ranch. Obviously, fostering this large number of characters would have cut into the time dispensed for ridiculous pandemonium, so perhaps it’s for the most incredible over the long haul. Plus, immature casualties are a staple of the loathsomeness type. We watch this kind of film to see individuals get eviscerated, not quote Shakespeare.

Also enthusiasts of evisceration have a lot to cheer about. There’s some truly merciless stuff in the unrated form of High Tension. Take, for instance, a scene in which the executioner covers a hatchet in the chest of an unfortunate casualty. In the first place, we’re blessed to receive the hints of the casualty’s breastbone breaking and fragmenting as the executioner contorts and pulls on the handle. This is the place where lesser carnage motion pictures would stop. The executioner would pull the hatchet free, and the casualty would drop inertly to the floor. Be that as it may, not High Tension. The casualty falls face-first onto the floor, the hatchet actually implanted in his chest. Then, at that point, the executioner puts his large work boot on the casualty’s back and presses down, constraining the hatchet cutting edge to infiltrate much more profound into the now-demolished chest pit. That, gore fans, is the means by which you shoot a homicide scene! Obviously, a few first class embellishments assist with accentuating the killings, adding a further feeling of shocking authenticity to the procedures.

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